“Tempted by Your Image” (poem). In Cabaret; Vol. 1, No. 1. Stony Brook University, 1987.

 

"Peacefully” (poem). In Cabaret; Vol. 1, No. 1. Stony Brook University, 1987.

 

“Japanese Culture and the EFL Instructor.” In ELERI Newsletter, Vol. 3, No. 3. Asia University: Winter Issue 1994.

 

“Student Sleeping.” In ELERI Newsletter, Vol. 4, No. 1. Asia University: Summer Issue 1994.

 

“Amae and the EFL Classroom in Japan.” In ELERI Journal, No.3. Asia University: 1995.

 

“Teaching Poetry to Beginning-Level EFL Students.” In ELERI Journal, No. 4. Asia University: 1996.

 

“Shusseki and Sanka” (In Japanese). In Asia University News. April 1994, April 1995, April 1996, and April 1997.

 

“Writing the Freshman English Placement Test (FEPT).” In ELERI Journal, No.5. Asia University: 1997. Co-authored with Douglas Forster.

 

“Fundamental Theories Relevant to Identity Formation.” In Kogakuin General Education Journal 41-1: October 2003.

 

“Culture the Controller: Notions on External and Internal Control in the Works of William S. Burroughs.” In Proceedings of the Twenty-third Annual Conference of The Southwest/Texas Popular Culture Association & American Culture Association: December 2003.

 

“Beyond a Metaphysics of Presence: Deconstructing Extra-Systemic Authorities.” In Kogakuin General Education Journal 41-2: February 2004.

 

Proceedings of the 2004 Kogakuin University/University of Limerick International Conference of Science and Humanities; Postmodernism: The Global Moment. Editor, KU/UL International Conference Press, Tokyo: October 2004.

 

“What Identity to Wear for All Tomorrow’s Parties: Andy Warhol and the Velvet Underground.” In Proceedings of the 2004 Kogakuin University/University of Limerick International Conference of Science and Humanities; Postmodernism: The Global Moment. KU/UL International Conference Press, Tokyo: October 2004.

 

“The Struggle Against Matrixing: Bukowski Fighting from the Corner.” In Kogakuin General Education Journal 42-1: October 2004.

 

“A Study on Building an Efficient System and Philosophy of Language Learning for Engineering Students.” Co-authored with Associate Professor Setsuko Adachi. In 2003 Kogakuin Research Center, No. 11: October 2004.

 

“An Anti-Franklin Philosophy? Bukowski’s American Dream Part One: The Tatemae/Honne Model.” In Kogakuin General Education Journal 42-2: February 2005.

 

“A Critical Thinking Approach to Second Language Acquisition.” Co-authored with Associate Professor Setsuko Adachi. In 2004 Kogakuin Research Center, No. 12: September 2005.

 

“An Anti-Franklin Philosophy? Bukowski’s American Dream Part Two: Don’t Try.” In Kogakuin General Education Journal 43-1: October 2005.

 

“Samuel Todes: Practical Perception, the Conceptual, and Binary Oppositions.” In Kogakuin General Education Journal 43-2: February 2006.

 

“The Meta-Symbolic Order: 3rd Paradigm Identity.” In SoLLs.INTEC.07 Language and Nationhood: Discourses Across Cultures and Disciplines: May 2007.

 

“Generation of Selves: The Meta-Symbolic Order & Identity Matrixing Part 1 & 2.” Co-authored with Associate Professor Setsuko Adachi. In 2006 Kogakuin Research Center, No. 14: July 2007.

 

“An Identity Matrixing Model for Transculturality.” Co-authored with Associate Professor Setsuko Adachi. In Katherine Wilson (ed) Looking at Ourselves: Multiculturalism, Conflict & Belonging. Inter-Disciplinary Press; Oxford: 2010.

 

“POP: Post Orgy Plurality” (poem). In One Imperative; Issue 04, What Happens After the Orgy: April 26, 2010. http://www.oneimperative.com/2010/04/04-what-happens-after-the-orgy/

 

“Both; Neither” (poem). In One Imperative; Issue 04, What Happens After the Orgy: April 26, 2010. http://www.oneimperative.com/2010/04/04-what-happens-after-the-orgy/

 

“Pfnaul” (digital photo montage over oil painting on canvas). In One Imperative; Issue 05, Play: October 29, 2010. http://www.oneimperative.com/2010/10/05-play/

 

“Summer Play” (digital photo montage over oil painting on canvas). In: One Imperative; Issue 05, Play: October 29, 2010. http://www.oneimperative.com/2010/10/05-play/

           

“Transcultural Identity Formation: The Matrixing of Language(s) and Regional and Global Cultural Constructions.” In Proceedings of the Malaysia International Conference on Foreign Languages (MICFL) 2010. Universiti Putra Malaysia: December 2010.

 

“Designing Singaporeans: A Project in Identity Construction.” In K. Gallagher (ed), Multiculturalism: Critical and Inter-Disciplinary Perspectives. Inter-Disciplinary Press; Oxford: 2011. http://www.inter-disciplinary.net/publishing/product/multiculturalism-critical-and-inter-disciplinary-perspectives/

           

“A Reichian Place” (poem). In One Imperative; Issue 06, Home: June 21, 2011. http://www.oneimperative.com/2011/06/06-home/

 

“Briar Hedge” (poem). In One Imperative; Issue 06, Home: June 21, 2011. http://www.oneimperative.com/2011/06/06-home/

 

“Hinternal/Hexternal” (poem). In One Imperative; Issue 06, Home: June 21, 2011. http://www.oneimperative.com/2011/06/06-home/

 

“In Lieu of Scratching & Sniffing at Art.” Journal of The International Association of Transdisciplinary Psychology, Volume 3, Issue 1: September 2011. https://transdisciplinarypsych.org/issue-3-2011/

 

“Searching for Art in Oxford”. In One Imperative; Issue 07, Who Gives a Shit about Art: November 23, 2011. http://www.oneimperative.com/2011/11/07-who-gives-a-shit-about-art/

 

“Deconstructing the Frameworks of Identity: The Identity Matrixing Model.” Co-authored with Associate Professor Setsuko Adachi. Inter-Disciplinary Press (on-line); Oxford: 2012. https://www.academia.edu/3202627/Deconstructing_the_Frameworks_of_Identity_The_Identity_Matrixing_Model

 

“Fractions” (poem). In One Imperative; Issue 09, (Re)views: January 10, 2013. http://www.oneimperative.com/2013/01/09-reviews/

 

“A Cold Winter’s Night Long Ago and Again” (poem). In One Imperative; Issue 09, (Re)views: January 10, 2013. http://www.oneimperative.com/2013/01/09-reviews/

 

“Why You Should Read: The Map and the Territory - By What Hodological Map Should I Read This?” Feature on Michel Houellebecq’s The Map and the Territory. In Singapore Review of Books: June 19, 2013. https://singaporereviewofbooks.org/2013/06/10/why-you-should-read-the-map-and-the-territory/

 

“Out of the Urban Neutered Environment” (image, sound, text composition). In One Imperative; Issue 10, Tune: September 17, 2013. http://www.oneimperative.com/2013/09/10-tune/

 

“Bread” (image, sound, text composition). In One Imperative; Issue 10, Tune: September 17, 2013. http://www.oneimperative.com/2013/09/10-tune/

 

“Reaching Stone Cold” (image, sound, text composition). In One Imperative; Issue 10, Tune: September 17, 2013. http://www.oneimperative.com/2013/09/10-tune/

 

“A View on How to Approach English.” In Niche: mook 01. School of Architecture, Kogakuin University, Tokyo Japan: March 2014.

 

“Tetracelim Amalgamation” (digital photo montage). In One Imperative; Issue 12, Vanity: April 10, 2014. http://www.oneimperative.com/2014/04/12-vanity/

 

“Esse Percipi” (prose piece). In One Imperative; Issue 12, Vanity: April 10, 2014. http://www.oneimperative.com/2014/04/12-vanity/

 

Special re-release of “Reaching Stone Cold” (musical composition). In One Imperative; Issue 13, … In Future-Memory of the Eulogy That Will Be Written For Us – A Call For That Eulogy That Is Always Already To Come …: June 7, 2014. http://www.oneimperative.com/2014/06/13-in-future-memory-of-the-eulogy-that-will-be-written-for-us-a-call-for-that-eulogy-that-is-always-already-to-come/

 

“An Homage, of Sorts” (poem). In One Imperative; Issue 15, “the end is the beginning is the _______”: March 23, 2015. http://www.oneimperative.com/2015/03/15-the-beginning-is-the-end-is-the-__/

 

“Get It On” (poem). In One Imperative; Issue 15, “the end is the beginning is the _______”: March 23, 2015. http://www.oneimperative.com/2015/03/15-the-beginning-is-the-end-is-the-__/

 

“Keep It Going” (musical composition). In One Imperative; Issue 15, “the end is the beginning is the _______”: March 23, 2015. http://www.oneimperative.com/2015/03/15-the-beginning-is-the-end-is-the-__/

 

“From the Void: It’s Fiction Reaches Out.” Review of It’s Fiction by Yanyun Chen, Anders Kølle, Jeremy Fernando & Dustin Hellberg. In Singapore Review of Books: May 1, 2015. https://singaporereviewofbooks.org/2015/05/01/its-fiction/

 

“Shopping Cart Tourism” (image, sound, text composition). On Pond by The Symbolic Order. Lyrics and music by Michael Kearney. Performed by Matt Adamec, Kevin Bailey, Bob DiRienzo, Mark Goetz, and Michael Kearney; produced by Matt Adamec. Released via Bandcamp August 25, 2015. http://thesymbolicorder.bandcamp.com/album/pond

 

“Left Around” (image, sound, text composition). On Pond by The Symbolic Order. Lyrics and music by Michael Kearney. Performed by Matt Adamec, Kevin Bailey, Bob DiRienzo, Mark Goetz, and Michael Kearney; produced by Matt Adamec. Released via Bandcamp August 25, 2015. http://thesymbolicorder.bandcamp.com/album/pond

 

“Sunday Melon Song” (image, sound, text composition). On Pond by The Symbolic Order. Lyrics and music by Michael Kearney. Performed by Matt Adamec, Kevin Bailey, Bob DiRienzo, Mark Goetz, and Michael Kearney; produced by Matt Adamec. Released via Bandcamp August 25, 2015. http://thesymbolicorder.bandcamp.com/album/pond

 

“Bread” (image, sound, text composition). On Sounds from the Bunker by The Symbolic Order. Released via Bandcamp August 27, 2015 (previously released via One Imperative; Issue 10, Tune: September 17, 2013). http://thesymbolicorder.bandcamp.com/album/sounds-from-the-bunker

 

“Out of The Urban Neutered Environment” (image, sound, text composition). On Sounds from the Bunker by The Symbolic Order. Released via Bandcamp August 27, 2015 (previously released via One Imperative; Issue 10, Tune: September 17, 2013). http://thesymbolicorder.bandcamp.com/album/sounds-from-the-bunker

 

“Reaching Stone Cold” (image, sound, text composition). On Sounds from the Bunker by The Symbolic Order. Released via Bandcamp August 27, 2015 (previously released via One Imperative; Issue 10, Tune: September 17, 2013 and again as a Special re-release in One Imperative; Issue 13, … In Future-Memory of the Eulogy That Will Be Written For Us – A Call For That Eulogy That Is Always Already To Come …: June 7, 2014). http://thesymbolicorder.bandcamp.com/album/sounds-from-the-bunker

 

“Storm Coming” (image, sound, text composition). On Pataphysical Psalms by The Symbolic Order. Lyrics by Michael Kearney; music composed and performed by Matt Adamec, Kevin Bailey, Bob DeRienzo, and Michael Kearney; produced by Matt Adamec. Released via Bandcamp August 31, 2015 (previously released on ReVergency by Vergency via Bandcamp, August 1, 2015). http://thesymbolicorder.bandcamp.com/album/pataphysical-psalms

 

“Keep It Going” (image, sound, text composition). On Pataphysical Psalms by The Symbolic Order. Released via Bandcamp August 31, 2015 (previously released via One Imperative; Issue 15, The End Is the Beginning Is the ____, March 23, 2015). http://thesymbolicorder.bandcamp.com/album/pataphysical-psalms

 

“Death on a Sofa” (image, sound, text composition). On Pataphysical Psalms by The Symbolic Order. Released via Bandcamp August 31, 2015. http://thesymbolicorder.bandcamp.com/album/pataphysical-psalms

 

“A Poem For My Father, Before It’s Too Late.” In Queen Mob’s Teahouse. September 17, 2015. http://queenmobs.com/2015/09/a-poem-for-my-father-before-its-too-late-by-michael-kearney/

 

“Hanging with Saturn” (poem). In One Imperative; Issue 16, Teach Me Tonight: December 13, 2015. http://www.oneimperative.com/2015/12/16-teach-me-tonight/

 

“Proving Jupiter” (poem). In One Imperative; Issue 16, Teach Me Tonight: December 13, 2015. http://www.oneimperative.com/2015/12/16-teach-me-tonight/

 

“Death on a Sofa” (image, sound, text composition). In One Imperative; Issue 16, Teach Me Tonight: December 13, 2015 (original release by The Symbolic Order on Pataphysical Psalms via Bandcamp August 31, 2015). http://www.oneimperative.com/2015/12/16-teach-me-tonight/

 

“Pint: Mirror” (image, sound, text composition). On Pint Trilogy by The Symbolic Order. Released via Bandcamp January 7, 2016. http://thesymbolicorder.bandcamp.com/album/pint-trilogy

 

“Pint: Shrine” (image, sound, text composition). On Pint Trilogy by The Symbolic Order. Released via Bandcamp January 7, 2016. http://thesymbolicorder.bandcamp.com/album/pint-trilogy

 

“Pint: Travesty” (image, sound, text composition). On Pint Trilogy by The Symbolic Order. Released via Bandcamp January 7, 2016. http://thesymbolicorder.bandcamp.com/album/pint-trilogy

 

“Boomerang” (image, sound, text composition). On Mo(u)rning W(h)ine by The Symbolic Order. Lyrics by Tomek Kowalski; music composed and performed by Tomek Kowalski and Michael Kearney; produced by Michael Kearney. Released via Bandcamp April 12, 2016. https://thesymbolicorder.bandcamp.com/album/mo-u-rning-w-h-ine

 

“More Complicated” (image, sound, text composition). On Mo(u)rning W(h)ine by The Symbolic Order. Released via Bandcamp April 12, 2016. https://thesymbolicorder.bandcamp.com/album/mo-u-rning-w-h-ine

 

“No Mourners” (image, sound, text composition). On Mo(u)rning W(h)ine by The Symbolic Order. Released via Bandcamp April 12, 2016. https://thesymbolicorder.bandcamp.com/album/mo-u-rning-w-h-ine

 

“Why You Should Read: Lawrence Ferlinghetti.” Feature in the Singapore Review of Books. May 11, 2016. https://singaporereviewofbooks.org/2016/05/11/why-you-should-read-lawrence-ferlinghetti/

 

“The Art of Writing Art.” Review of Writing Art by Jeremy Fernando. Singapore Review of Books: June 16, 2016. https://singaporereviewofbooks.org/2016/06/16/the-art-of-writing-art/

 

“Anticipation” (image, sound, text composition). On Swamp Vignette by The Symbolic Order. Released via Bandcamp June 13, 2016. https://thesymbolicorder.bandcamp.com/track/anticipation  Also released in One Imperative; Issue 17, Swamp: July 24, 2016.

http://www.oneimperative.com/2016/07/17-swamp/

 

“Zombie Shuffle” (image, sound, text composition). On Swamp Vignette by The Symbolic Order. Released via Bandcamp June 13, 2016. https://thesymbolicorder.bandcamp.com/track/zombie-shuffle Also released in One Imperative; Issue 17, Swamp: July 24, 2016.

http://www.oneimperative.com/2016/07/17-swamp/

 

“Sayre’s Smile” (image, sound, text composition). On Swamp Vignette by The Symbolic Order. Released via Bandcamp June 13, 2016. https://thesymbolicorder.bandcamp.com/track/sayres-smile Also released in One Imperative; Issue 17, Swamp: July 24, 2016.

http://www.oneimperative.com/2016/07/17-swamp/

 

“Sunday” (poem). In One Imperative; Issue 17, Swamp: July 24, 2016.

http://www.oneimperative.com/2016/07/17-swamp/

 

“My Beard Dances Like Spanish Moss” (poem). In One Imperative; Issue 17, Swamp: July 24, 2016. http://www.oneimperative.com/2016/07/17-swamp/

 

“et filios …”. Review of In Nomine Patris by Jeremy Fernando and Amanda Lee Koe. Singapore Review of Books: November 15, 2016.

 

“New(ly) (Re)Born Again” (poem). In One Imperative; Issue 18, Babies: First Steps: June 16, 2017.

 

“A Father on Mother’s Day (2016)” (poem). In One Imperative; Issue 18, Babies: First Steps: June 16, 2017.

 

“Come Here” (image, sound, text composition). On Walk by The Symbolic Order. Released via Bandcamp July 5, 2017.

 

“Pathways” (image, sound, text composition). On Walk by The Symbolic Order. Released via Bandcamp July 5, 2017.

 

“Walk Inside Your Empty Head” (image, sound, text composition): with Frau Ada Schwarz. On Walk by The Symbolic Order. Released via Bandcamp July 5, 2017.

 

“Dzundza’s Lament” (image, sound, text composition). On Lament by The Symbolic Order. Released via Bandcamp November 25, 2017.

 

“Vera’s Lament” (image, sound, text composition). On Lament by The Symbolic Order. Released via Bandcamp November 25, 2017.

 

“Zahvoray’s Lament” (image, sound, text composition). On Lament by The Symbolic Order. Released via Bandcamp November 25, 2017.

 

“Augmented Memories and the Future” (image, sound, text composition): producer, composed by Tuna22. On Gone by The Symbolic Order. Released via Bandcamp January 5, 2018.

 

“Fields of Silence” (image, sound, text composition): with Michael Katsuyasu Kearney. On Gone by The Symbolic Order. Released via Bandcamp January 5, 2018.

 

“Should Have Loved You More” (image, sound, text composition). On Gone by The Symbolic Order. Released via Bandcamp January 5, 2018.

 

“Havin a Beer with Pablo Neruda” (poem). In One Imperative; Issue 19, Fame: January 29, 2018.

 

“Hurry” (poem). In One Imperative; Issue 19, Fame: January 29, 2018.

 

“Lost on Elizabeth Street” (poem). In One Imperative; Issue 19, Fame: January 29, 2018.

 

“The Reverend” (image, sound, text composition). On Trials by The Symbolic Order. Released via Bandcamp May 31, 2018.

 

“The Flood” (image, sound, text composition): with Frau Ada Schwarz. On Trials by The Symbolic Order. Released via Bandcamp May 31, 2018.

 

“Gutshot” (image, sound, text composition). On Trials by The Symbolic Order. Released via Bandcamp May 31, 2018.

 

“Shadow” (image, sound, text composition): with Tuna22, Lily, Frank, and Frau Ada Schwarz. On Moon by The Symbolic Order. Released via Bandcamp June 22, 2018.

 

“Reflection” (image, sound, text composition): with Tuna22, Lily, and Frank. On Moon by The Symbolic Order. Released via Bandcamp June 22, 2018.

 

“Shimmer” (image, sound, text composition): with Tuna22, Lily, and Frank. On Moon by The Symbolic Order. Released via Bandcamp June 22, 2018.

 

“Alone” (image, sound, text composition). On Cold by The Symbolic Order. Released via Bandcamp December 19, 2018.

 

“Home” (image, sound, text composition). On Cold by The Symbolic Order. Released via Bandcamp December 19, 2018.

 

“Gentle Ones” (image, sound, text composition). On Cold by The Symbolic Order. Released via Bandcamp December 19, 2018.

 

“Julian Gough – Shredding Nets.” Feature in the Singapore Review of Books. December 26, 2018.

 

“Magenta Bound (Image)” (art work). In One Imperative Issue 20, A Clutch of Unfurling Peonies: January 4, 2019.

 

“Magenta Bound (Sound)” (music composition). In One Imperative Issue 20, A Clutch of Unfurling Peonies: January 4, 2019.

 

“Magenta Bound (Text)” (poem). In One Imperative Issue 20, A Clutch of Unfurling Peonies: January 4, 2019.

 

“Magenta Bound” (image, sound, text composition). By The Symbolic Order. Released via Bandcamp January 18, 2019.

 

“Another Fine Corrective” (image & sound composition): with Kevin Bailey (sound, text, and production) & Bob DeRienzo (sound & production). On Haze by The Symbolic Order. Released via Bandcamp February 25, 2019.

 

“Dwelt a Miner, Forty-nine …” (sound composition): with Jeremy Fernando (text) and Yanyun Chen (image). On Haze by The Symbolic Order. Released via Bandcamp February 25, 2019.

 

“Memories Under Siege” (image, sound, text composition): with Kevin Bailey (sound) & Bob DeRienzo (sound). On Haze by The Symbolic Order. Released via Bandcamp February 25, 2019.

 

“Don’t Look So Good” (image, sound, text composition): with Frau Ada Schwarz & Tuna22 (production). On Torn by The Symbolic Order. Released via Bandcamp May 31, 2019.

 

“Ain’t Coming Home Again” (image, sound, text composition): with Frau Ada Schwarz and Tuna22 (production). On Torn by The Symbolic Order. Released via Bandcamp May 31, 2019.

 

“Trembling” (image, sound, text composition): with Chi (image), Frau Ada Schwarz & Tuna22 (production). On Torn by The Symbolic Order. Released via Bandcamp May 31, 2019.

 

“Green Teeth Blues” (image, sound, text composition): with Frau Ada Schwarz & Tuna22 (sound). On Decay by The Symbolic Order. Released via Bandcamp July 15, 2019.

 

“Ain’t Coming Back No More” (image, sound, text composition): with Frau Ada Schwarz & Tuna22 (sound). On Decay by The Symbolic Order. Released via Bandcamp July 15, 2019.

 

“Nothing for It Yet” (image, sound, text composition): with Frau Ada Schwarz (sound) & Tuna22 (sound & text). On Decay by The Symbolic Order. Released via Bandcamp July 15, 2019.

 

“Outta the Hills” (image, sound, text composition): with Kevin Bailey (sound). On Khôra by The Symbolic Order. Released via Bandcamp October 7, 2019.

 

“Over There” (image, sound, text composition). On Khôra by The Symbolic Order. Released via Bandcamp October 7, 2019.

 

“What Sin?” (image, sound, text composition). On Khôra by The Symbolic Order. Released via Bandcamp October 7, 2019.

 

“Let It Ride” (sound & text): with Matt Adamec (image, sound, text), Rosa Mazzurco (sound & text), and Drew Willis (sound & text). On Monster by Burnsicle + The Symbolic Order. Released via Bandcamp October 18, 2019.

 

“Yes, I Know” (sound & text): with Matt Adamec (image, sound, text), Rosa Mazzurco (sound & text), and Drew Willis (sound & text). On Monster by Burnsicle + The Symbolic Order. Released via Bandcamp October 18, 2019.

 

“Don’t Touch the Dragon” (sound & text): with Matt Adamec (image, sound, text), Rosa Mazzurco (sound & text), and Drew Willis (sound & text). On Monster by Burnsicle + The Symbolic Order. Released via Bandcamp October 18, 2019.

 

“Senna” (prose piece). In One Imperative Issue 24, Fear: November 3, 2019.

 

“Gotta” (sound collage). In One Imperative Issue 24, Fear: November 3, 2019.

 

“Go West Young Refugees” (sound): with Kevin Bailey (image, sound, text) & Bob DeRienzo (sound). On Where Do We Go from Here by Haybales. Released via Bandcamp January 1, 2020.

 

“The Road” (sound): with Kevin Bailey (image, sound, text) & Bob DeRienzo (sound). On Where Do We Go from Here by Haybales. Released via Bandcamp January 1, 2020.

 

“Speak with Your Soul” (sound): with Kevin Bailey (image, sound, text) & Bob DeRienzo (sound). On Where Do We Go from Here by Haybales. Released via Bandcamp January 1, 2020.

 

“Georgia Mist” (image, sound, text composition): with Kevin Bailey (sound). On Reminiscences by The Symbolic Order. Released via Bandcamp January 16, 2020.

 

“Philomath” (image, sound, text composition): with Kevin Bailey (sound) and Melly Rudolph & Michael Katsuyasu Kearney (sound). On Reminiscences by The Symbolic Order. Released via Bandcamp January 16, 2020.

 

“Full Moon Tree” (image, sound, text composition). On Reminiscences by The Symbolic Order. Released via Bandcamp January 16, 2020.